Book No.8 (Medieval History of India)

Book Name Political Structure and State Formation in Early Medieval India

What’s Inside the Chapter? (After Subscription)

1. Introduction

2. Temple Architecture

2.1. Elements of Hindu temple

2.2. The Northern Style-Nagara

2.3. Dravida or South Indian Temple Style

2.4. Vesara or Architecture in the Deccan

2.5. Temples and Indian Cultural Ethos

3. Sculptural Tradition

4. Painting Tradition

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Art and Architecture: Evolution of Regional styles: Kalingan and Dravidian style of Temple Architecture

Chapter – 16

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Harshit Sharma

Alumnus (BHU)

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Table of Contents

Introduction

  • The period between C.E 700 and 1200 is referred to as the early medieval period of Indian history.

  • During this time, India was politically divided into numerous regional states that were often in conflict with each other.

  • Despite political division, there was a growth of new and rich cultural activities in the fields of art, literature, and language.

  • The emergence of new regional cultural zones occurred, including:

    • Bengal and Odisha in the North

    • Gujarat and Maharashtra in Central India

    • Andhra, Karnataka, and Tamil Nadu in the South.

  • Various art forms, languages, and literature that are part of regional cultures today took shape during this period.

  • Large-scale royal patronage was given to the tradition of temple building, sculptural art, and paintings.

  • Temples served as representatives of the might and glory of the kings who built them.

  • Due to royal patronage, three distinct types of temple architecture evolved during this period: Nagara, Dravida, and Vesara styles.

  • There was significant improvement in the art of making sculptures and fresco paintings in temple premises.

  • An important contribution of Chola artists was the creation of bronze images of Nataraja, representing Siva in his cosmic dance, unmatched in rhythm and balance.

  • The chapter focuses on the tradition of art and architecture that flourished during the early medieval period of Indian history.

Temple Architecture

  • The term temple is derived from the Latin word ‘Tempulum’, which originally meant a square or rectangular place marked out by an augur for the purpose of worship.

  • In its primitive sense, the word corresponds to a sacred place for a God, where the house of the God may be erected.

  • The shrine or abode of the God has different nomenclatures, such as Devagriha, Devalaya, and Devakula in ancient Sastras or literature.

  • In the Vastusastra, North Indian temples are known as Prasada, while South Indian temples are referred to as Vimana, Harmya, and occasionally Prasada.

  • The term mandira first occurs in Banabhatta’s Kadambari, a 7th-century C.E. text.

  • Temple architecture in India began during the Mauryan period (3rd century BC), as seen from archaeological sites at Sanchi (Madhya Pradesh) and Bairat (Rajasthan).

  • Gupta period saw the momentum of temple architecture, with Temple no. 17 at Sanchi and Temple no. 1 at Udayagiri near Vidisa as early examples.

  • The Indian Silpasastras recognize three main types of temples:

    • Nagara or ‘northern’ style

    • Dravidian or ‘southern’ style

    • Vesara or hybrid style.

  • Nagara temples are found from the Himalayas to the Vindhys, Vesara from the Vindhys to the Krishna, and Dravida from the Krishna to Cape Comorin.

  • Distinct styles also exist in peripheral areas such as Bengal, Kerala, and the Himalayan valleys.

  • The construction of Hindu temples during the 6th-13th centuries was on a magnificent scale, comparable to the building of churches and cathedrals in medieval Europe.

  • A large variety of Hindu temples were constructed across India, differing in scale, building techniques, and the deities worshipped.

  • Differences in political, cultural, climatic, geographical, and prosperity factors between towns and villages influenced the variety in temple construction.

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