Book No. – 8 (Medieval History of India)

Book Name – Political Structure and State Formation in Early Medieval India

What’s Inside the Chapter? (After Subscription)

1. Introduction

2. Temple Architecture

2.1. Elements of Hindu temple

2.2. The Northern Style-Nagara

2.3. Dravida or South Indian Temple Style

2.4. Vesara or Architecture in the Deccan

2.5. Temples and Indian Cultural Ethos

3. Sculptural Tradition

4. Painting Tradition

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Art and Architecture: Evolution of Regional styles: Kalingan and Dravidian style of Temple Architecture

Chapter – 16

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Harshit Sharma

Alumnus (BHU)

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Table of Contents

Introduction

  • The period between C.E 700 and 1200 is referred to as the early medieval period of Indian history.

  • During this time, India was politically divided into numerous regional states that were often in conflict with each other.

  • Despite political division, there was a growth of new and rich cultural activities in the fields of art, literature, and language.

  • The emergence of new regional cultural zones occurred, including:

    • Bengal and Odisha in the North

    • Gujarat and Maharashtra in Central India

    • Andhra, Karnataka, and Tamil Nadu in the South.

  • Various art forms, languages, and literature that are part of regional cultures today took shape during this period.

  • Large-scale royal patronage was given to the tradition of temple building, sculptural art, and paintings.

  • Temples served as representatives of the might and glory of the kings who built them.

  • Due to royal patronage, three distinct types of temple architecture evolved during this period: Nagara, Dravida, and Vesara styles.

  • There was significant improvement in the art of making sculptures and fresco paintings in temple premises.

  • An important contribution of Chola artists was the creation of bronze images of Nataraja, representing Siva in his cosmic dance, unmatched in rhythm and balance.

  • The chapter focuses on the tradition of art and architecture that flourished during the early medieval period of Indian history.

Temple Architecture

  • The term temple is derived from the Latin word ‘Tempulum’, which originally meant a square or rectangular place marked out by an augur for the purpose of worship.

  • In its primitive sense, the word corresponds to a sacred place for a God, where the house of the God may be erected.

  • The shrine or abode of the God has different nomenclatures, such as Devagriha, Devalaya, and Devakula in ancient Sastras or literature.

  • In the Vastusastra, North Indian temples are known as Prasada, while South Indian temples are referred to as Vimana, Harmya, and occasionally Prasada.

  • The term mandira first occurs in Banabhatta’s Kadambari, a 7th-century C.E. text.

  • Temple architecture in India began during the Mauryan period (3rd century BC), as seen from archaeological sites at Sanchi (Madhya Pradesh) and Bairat (Rajasthan).

  • Gupta period saw the momentum of temple architecture, with Temple no. 17 at Sanchi and Temple no. 1 at Udayagiri near Vidisa as early examples.

  • The Indian Silpasastras recognize three main types of temples:

    • Nagara or ‘northern’ style

    • Dravidian or ‘southern’ style

    • Vesara or hybrid style.

  • Nagara temples are found from the Himalayas to the Vindhys, Vesara from the Vindhys to the Krishna, and Dravida from the Krishna to Cape Comorin.

  • Distinct styles also exist in peripheral areas such as Bengal, Kerala, and the Himalayan valleys.

  • The construction of Hindu temples during the 6th-13th centuries was on a magnificent scale, comparable to the building of churches and cathedrals in medieval Europe.

  • A large variety of Hindu temples were constructed across India, differing in scale, building techniques, and the deities worshipped.

  • Differences in political, cultural, climatic, geographical, and prosperity factors between towns and villages influenced the variety in temple construction.

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