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SUB-TOPIC INFO – History (UNIT 3)
CONTENT TYPE – Short Notes
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1. Vaishnavism and Saivism
1.1. Introduction
1.2. Origins and Development of Vaishnavism
1.3. Philosophical Schools Saivism
1.4. The Pasupata-S or Kapalika-S
1.5. Kashmiri Saivism
1.6. Vira Saivism
1.7. Saiva Sidhhanta
1.8. Nature and God of Soul
1.9. Bondage and Liberation
1.10. Philosophers of Vaishnavism
2. Tamil Bhakti Movement
2.1. Saivism and Nayanmars
2.2. Saivite Works
2.3. Vaishnavism and Alwars
2.4. Vaishnavite Works
2.5. Adi Shankara
2.6. Madhvacharya
2.7. Ramanujacharya
3. Temples in Early Medieval India
3.1. Role of Temples
4 Patronage and Regional Ramification
5. Developments in Brahmaniam Religion
5.1. Introduction
5.2. Emergence of Bhakti in Brahmanism
5.3. Spread of Bhakti to the South
5.4. Bhakti Movement in South India
5.5. Protest and Reform in the Bhakti Movement of the South and Later Transformation of the Bhakti Movement
5.6. Emergence of Tantrism
6. Temple Architecture and Regional Styles
6.1. North Indian (Nagara) Style
6.2. South Indian (Dravida) Style
6.3. Deccan (Vesara) Style
6.4. Common Architectural Features Across Regions
6.5. Role of Temples Beyond Architecture
7. Dana, Tirth and Bhakti
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Growth of Brahmanical Religions
UGC NET HISTORY (UNIT 3)
Vaishnavism and Saivism
Introduction
- Saivism and Vaishnavism are popular forms of Hindu faith with large followings, where Lord Siva and Lord Vishnu are worshipped as the Supreme Being respectively.
- In popular Hinduism, Siva is part of the Trinity and associated with Annihilation, while Brahma and Vishnu are gods of creation and sustenance.
- Both Saivism and Vaishnavism have diversified religious beliefs and practices, with numerous sects found across India.
- These traditions are considered very ancient in India, with some Vedic references to Siva and Vishnu, although their roles as Supreme Beings were not fully developed in the Vedic texts.
- The Medieval bhakti movements led to the development of these traditions both in religious and philosophical spheres.
- Saivism is considered one of the oldest and most ancient religions, potentially pre-dating recorded history.
- Saivism is not only old but also still a living religion practiced by multitudes today.
- Scholars trace the origin of Saivism to the pre-Vedic period, with some identifying it as an indigenous Dravidian tradition, separate from the Vedic tradition.
- Sir John Marshall linked Saivism to the Mohenjo-daro-Harappa sites, suggesting Siva as a prototype of the male god in these ancient civilizations.
- Scholars such as G.U. Pope, G. Slater, Maraimalai Adigal argue that Saivism is pre-Aryan and pre-Vedic, while others like K.A. Nilakanta Sastri advocate for its Vedic origin.
- Rudra, a minor deity in the Vedic period, is associated with Siva and is described as fierce, destructive, and linked to the natural forces like storms and lightning.
- In the Yajurveda, Siva is attributed various names like paśupati (God of animals), Nīlagrīva (blue-necked), Sitikaṇṭha (white-throated), reflecting his omnipotent and omniscient qualities.
- In the Śvetāśvatara Upaniṣad, Siva is referred to by titles like Hara, Mahādeva, Īśa, and Maheśvara, highlighting his elevated status.
- The Mahābhārata mentions one thousand and eight names of Siva and narrates his marriage to Uma, the daughter of the mountain king Himavān.
- The Rāmāyaṇa associates Siva with the origin of the Gaṅgā, wherein he traps the celestial river in his matted hair to control its force before it descends to Earth.
- In Puranic literature, Siva is described as Ardhanārīśvara, a fusion of male and female principles, and as Dakṣiṇāmūrti, the silent yogic teacher.
- Siva is known by several names such as mahāyogin, taponitya, and yogīśvara, underscoring his association with meditation and ascetic practices.
- Siva’s image in Puranas is often depicted as a destroyer of evil, and he is known as saṁhāramūrti, the God of destruction.
- Iconographically, Siva is described as wearing animal skins, with matted hair, a crescent moon on his head, serpents, and a trident.
- Siva’s third eye symbolizes wisdom, and his weapons include a fire, axe, and drum. His dwelling place is said to be the crematorium, and his body is smeared with ash.
- The depiction of Siva as the Dancing Lord is another important representation.
- Tamil literature provides extensive references to Siva, describing his sixty-four divine sports and many attributes in great detail.
- The Indus Valley civilization provides evidence of early worship of Siva, with the fusion of Vedic Rudra and indigenous Siva traditions.
- By the time of the Śvetāśvatara Upaniṣad, Siva had been absorbed into the Vedic pantheon and given the title of Mahādeva.
- Megasthenes is the first foreigner to mention Siva in historical records.
- During the Gupta period, the worship of Siva gained significant importance, and the bhakti movement in South India marked the rise of Saivism.
Origins and Development of Vaishnavism
The sources of origin of the Vaishnava religious tradition are varied, with some tracing it back to the Vedic tradition itself.
Various concepts of Supreme Vishnu are seen in different Vaishnava sects, including:
The Visnu (God with three strides) in the Vedas.
The Narayana (cosmic and philosophical god).
The Vasudeva (historical god).
The Krishna (pastoral god).
Some scholars believe that Vaishnavism originated from Visnu in the Vedas, while others argue that it developed after the rise of the Bhagavatam.
For South Indian Vaishnavism, some trace the Krishna cult to the Yadavas in Madurai, a section of the Vrsni people who colonized the Pandya country.
Another view suggests that the Vishnu cult in ancient Tamil culture originates from the mullai region, where Perumal is worshipped.
Vaishnavism is also called bhāgavata, meaning the cult of Bhagavat (the Lord), drawing inspiration from the Bhāgavata Purāṇa, Gīta, and the Nārayaṇīya (section of the Mahābhārata).
Pāñcarātra and Vaikānasa Āgamas are canonical texts in Vaishnavism:
Pāñcarātra deals with rituals, knowledge of God, mental concentration, yoga, temple construction, image installation, and daily rites.
Vaikānasa Āgamas provide instructions for temple construction and image molding.
Vishnu’s abode is called Vaikuṇṭha, where He is enthroned beside His consort, Lakṣmi (goddess of good fortune).
Vishnu is depicted in five forms:
Transcendent (para): Possesses six attributes—knowledge, lordship, potency, strength, virility, and splendour.
Grouped (vyūha): Four forms—Vāsudeva, Saṁkarṣaṇa, Pradyumna, Aniruddha—with distinct functions in cosmic creation and soul redemption.
Incarnated (avatāra): Nine incarnations are believed to have occurred, with one yet to come.
These incarnations descended when the world was in danger of destruction, often to defeat demons or restore order.
Incarnations include Fish, Tortoise, Boar, Narasimha (man-lion), Vamana (dwarf), Parasurama, Rama, Krishna, and Buddha.
Buddha‘s incarnation is controversial and believed to either end animal sacrifice or lead wicked men to deny the Vedas.
The final incarnation is Kalki, yet to come, to destroy the wicked and restore the Kṛta Yuga (age of gold).
Idol (arcā): The most concrete form of God, where the image of Vishnu is believed to be a real, divinely alive form, making God accessible to devotees.
Service to the arcā is considered the primary duty of a devotee in Vaishnavism.
Philosophical Schools Saivism
Siva has both a dark and grim side to his nature, in addition to his beneficent qualities.
His nature is described as fierce, associated with horrible places like cremation grounds, wearing a garland of skulls, and performing the rudra thandava dance, which destroys the world at the end of the kalpa.
Despite this, Siva is also regarded as the great ascetic, meditating on the slopes of Mount Kailasa in the Himalayas, with matted hair, a crescent moon on his head, and the sacred Ganges flowing from it.
The characteristics of agricultural and pastoral fertility gods have been merged in Siva.
He is known as the lord of beasts (paśupati), the patron of procreation in both men and animals.
Siva is commonly worshipped in his emblem, the liṅga.
Some Siva cults have developed unpleasant practices such as animal sacrifice and psychopathic self-mortification.
However, most sects consider Siva to be the God of love and grace.
Tamil Saivism describes Siva in exalted terms with a strong moral emphasis.
In Tamil Saivism, the harsh elements of Siva have disappeared, and he is seen as a compassionate father of all living things who cares for them with love and justice, protecting them from evil.
There are many forms of Saivite religious and philosophical traditions in Saivism.
The Pasupata-S or Kapalika-S
The paśupatas are the oldest Saivaite tradition in the north.
In this tradition, ascetic tendencies were strongly emphasized.
Although their doctrines show closeness to the Samkhya and Yoga philosophies, they distinguish themselves by emphasizing Saiva monotheism.
For the paśupatas, Siva is absolutely independent and the instrumental cause of the world.
Nature and souls are seen as effects and are rooted in God’s will.
The liberated souls are believed to become eternally associated with Siva.
Their yogic practice consists of constant meditative contact with Siva in solitude, often in burial places.
Their ritual practices were often regarded as revolting.
The more extreme groups, called kapālikas, practiced ostentatious indifference to anything worldly.
Kapālikas carried human skulls (kapāla) and a bowl of liquor.
Due to these practices, they are worshipped as the skull bearer (kapālika) or the frightful one (bhairava).