Prehistoric Rock Paintings

Chapter – 1

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Harshit Sharma

Political Science (BHU)

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  • The period before paper, language, and written documents is known as prehistory or prehistoric times.
  • Scholars discovered prehistoric lifestyles through excavations that revealed tools, pottery, habitats, bones, and cave drawings.
  • Information from these objects and drawings has provided accurate knowledge about prehistoric life.
  • Prehistoric people expressed themselves through painting and drawing on cave walls.
  • Prehistoric paintings served to decorate shelters or keep a visual record of daily life.
  • Prehistoric paintings have been found worldwide; Upper Palaeolithic times show a proliferation of artistic activities.
  • In India, the earliest paintings are from the Upper Palaeolithic period.
  • The first discovery of rock paintings in India was by Archibold Carlleyle in 1867–68, predating the discovery of Altamira in Spain.
  • Early archaeologists in India included Cockburn, Anderson, Mitra, and Ghosh, who discovered numerous sites.
  • Rock paintings have been found in Madhya Pradesh, Uttar Pradesh, Andhra Pradesh, Karnataka, Bihar, and the Kumaon hills in Uttarakhand.
  • At Lakhudiyar, paintings include man, animal, and geometric patterns in white, black, and red ochre.
  • Human figures are depicted in stick-like forms; animals include a long-snouted creature, a fox, and a multi-legged lizard.
  • Geometric designs and hand-linked dancing human figures are also featured, with superimposition of black, red ochre, and white paintings.
  • Kashmir has reported two slabs with engravings.
  • Granite rocks in Karnataka and Andhra Pradesh provided canvases for Neolithic paintings, including Kupgallu, Piklihal, and Tekkalkota.
  • Paintings in these regions are in white, red ochre over white, and red ochre, depicting bulls, elephants, sambhars, gazelles, sheep, goats, horses, stylized humans, tridents, and rarely vegetal motifs.
  • The richest paintings are from the Vindhya ranges of Madhya Pradesh and Kaimurean extensions into Uttar Pradesh.
  • Bhimbetka, located in the Vindhya hills, is the largest and most spectacular rock-shelter, with about eight hundred rock shelters and five hundred bearing paintings.
  • Bhimbetka was discovered in 1957–58 by V.S. Wakankar, who spent years surveying the area.
  • Paintings at Bhimbetka depict various themes, including hunting, dancing, music, riders, animal fighting, honey collection, body decoration, and household scenes.
  • Bhimbetka rock art is classified into seven historical periods: Period I (Upper Palaeolithic), Period II (Mesolithic), and Period III (Chalcolithic), with four subsequent periods.

Upper Palaeolithic Period

  • Upper Palaeolithic paintings feature linear representations of large animals like bisons, elephants, tigers, rhinos, and boars.
  • Stick-like human figures are also depicted in these paintings.
  • Paintings are primarily in green and dark red.
  • Some paintings are wash paintings, but most are filled with geometric patterns.
  • Green paintings depict dancers, while red paintings depict hunters.

Mesolithic Period

  • The largest number of paintings belong to Period II, covering the Mesolithic phase.
  • Mesolithic paintings are smaller in size with multiple themes.
  • Hunting scenes are predominant, showing people hunting in groups with barbed spears, pointed sticks, arrows, and bows.
  • Some paintings depict primitive men using traps and snares to catch animals.
  • Hunters are shown wearing simple clothes and ornaments, with some adorned with elaborate head-dresses and masks.
  • Animals depicted include elephant, bison, tiger, boar, deer, antelope, leopard, panther, rhinoceros, fish, frog, lizard, squirrel, and birds.
  • Some paintings show animals chasing men, while others depict men hunting animals.
  • Paintings reflect both fear and tenderness towards animals.
  • Humans are depicted in a stylistic manner, with women shown both nude and clothed.
  • Paintings include children running, jumping, playing, and community dances.
  • Themes also include gathering fruit or honey, women preparing food, and family life.
  • Hand prints, fist prints, and fingertip dots are found in many rock-shelters.
  • Artists used various colors like white, yellow, orange, red ochre, purple, brown, green, and black, with white and red being favorites.
  • Paints were made from grinding rocks and minerals, mixed with water and sticky substances like animal fat, gum, or resin.
  • Brushes were made from plant fiber.
  • The colors have survived due to chemical reactions of oxides on rock surfaces.
  • Paintings were made on walls and ceilings of rock shelters, some in living spaces and others possibly with religious significance.
  • Some beautiful paintings are high up on rock shelters, likely to be noticed from a distance.
  • Paintings exhibit a charm with simple rendering, depicting adventurous and joyful scenes of men and animals.
  • Some scenes show dramatic events like a group hunting a bison, with injured men and animals in agony.
  • The depiction of animals as larger than men reflects a common primitive practice seen in rituals and storytelling.
  • New paintings were often made over older ones, possibly due to dissatisfaction with previous work or the sacred nature of the sites.
  • Rock art helps understand early human lifestyle, food habits, daily activities, and their thoughts.
  • Prehistoric remains, including rock paintings, are valuable for understanding the evolution of human civilization.

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