Growth of Brahmanical Religions
(Detailed Notes)
Unit 3
UGC NET HISTORY
Language Choose your preferred language
Growth of Brahmanical Religions
🎨 Reading Colors
Background
Text Color
Table of Contents
  • Vaishnavism and Saivism
  • Introduction
  • Origins and Development of Vaishnavism
  • Philosophical Schools Saivism
  • The Pasupata-S or Kapalika-S
  • Kashmiri Saivism
  • Vira Saivism
  • Saiva Sidhhanta
  • Nature and God of Soul
  • Bondage and Liberation
  • Philosophers of Vaishnavism
  • Tamil Bhakti Movement
  • Saivism and Nayanmars
  • Saivite Works
  • Vaishnavism and Alwars
  • Vaishnavite Works
  • Adi Shankara
  • Madhvacharya
  • Ramanujacharya
  • Temples in Early Medieval India
  • Role of Temples
  • Patronage and Regional Ramification
  • Developments in Brahmanism Religion
  • Introduction
  • Emergence of Bhakti in Brahmanism
  • Spread of Bhakti to the South
  • Bhakti Movement in South India
  • Protest and Reform in the Bhakti Movement of the South and Later Transformation of the Bhakti Movement
  • Emergence of Tantrism
  • Temple Architecture and Regional Styles
  • North Indian (Nagara) Style
  • South Indian (Dravida) Style
  • Deccan (Vesara) Style
  • Common Architectural Features Across Regions
  • Role of Temples Beyond Architecture
  • Dana, Tirth and Bhakti

Vaishnavism and Saivism

Introduction

  • Saivism and Vaishnavism are popular forms of Hindu faith with large followings, where Lord Siva and Lord Vishnu are worshipped as the Supreme Being respectively.
  • In popular Hinduism, Siva is part of the Trinity and associated with Annihilation, while Brahma and Vishnu are gods of creation and sustenance.
  • Both Saivism and Vaishnavism have diversified religious beliefs and practices, with numerous sects found across India.
  • These traditions are considered very ancient in India, with some Vedic references to Siva and Vishnu, although their roles as Supreme Beings were not fully developed in the Vedic texts.
  • The Medieval bhakti movements led to the development of these traditions both in religious and philosophical spheres.
  • Saivism is considered one of the oldest and most ancient religions, potentially pre-dating recorded history.
  • Saivism is not only old but also still a living religion practiced by multitudes today.
  • Scholars trace the origin of Saivism to the pre-Vedic period, with some identifying it as an indigenous Dravidian tradition, separate from the Vedic tradition.
  • Sir John Marshall linked Saivism to the Mohenjo-daro-Harappa sites, suggesting Siva as a prototype of the male god in these ancient civilizations.
  • Scholars such as G.U. Pope, G. Slater, Maraimalai Adigal argue that Saivism is pre-Aryan and pre-Vedic, while others like K.A. Nilakanta Sastri advocate for its Vedic origin.
  • Rudra, a minor deity in the Vedic period, is associated with Siva and is described as fierce, destructive, and linked to the natural forces like storms and lightning.
  • In the Yajurveda, Siva is attributed various names like paśupati (God of animals), Nīlagrīva (blue-necked), Sitikaṇṭha (white-throated), reflecting his omnipotent and omniscient qualities.
  • In the Śvetāśvatara Upaniṣad, Siva is referred to by titles like Hara, Mahādeva, Īśa, and Maheśvara, highlighting his elevated status.
  • The Mahābhārata mentions one thousand and eight names of Siva and narrates his marriage to Uma, the daughter of the mountain king Himavān.
  • The Rāmāyaṇa associates Siva with the origin of the Gaṅgā, wherein he traps the celestial river in his matted hair to control its force before it descends to Earth.
  • In Puranic literature, Siva is described as Ardhanārīśvara, a fusion of male and female principles, and as Dakṣiṇāmūrti, the silent yogic teacher.
  • Siva is known by several names such as mahāyogin, taponitya, and yogīśvara, underscoring his association with meditation and ascetic practices.
  • Siva's image in Puranas is often depicted as a destroyer of evil, and he is known as saṁhāramūrti, the God of destruction.
  • Iconographically, Siva is described as wearing animal skins, with matted hair, a crescent moon on his head, serpents, and a trident.
  • Siva’s third eye symbolizes wisdom, and his weapons include a fire, axe, and drum. His dwelling place is said to be the crematorium, and his body is smeared with ash.
  • The depiction of Siva as the Dancing Lord is another important representation.
  • Tamil literature provides extensive references to Siva, describing his sixty-four divine sports and many attributes in great detail.
  • The Indus Valley civilization provides evidence of early worship of Siva, with the fusion of Vedic Rudra and indigenous Siva traditions.
  • By the time of the Śvetāśvatara Upaniṣad, Siva had been absorbed into the Vedic pantheon and given the title of Mahādeva.
  • Megasthenes is the first foreigner to mention Siva in historical records.
  • During the Gupta period, the worship of Siva gained significant importance, and the bhakti movement in South India marked the rise of Saivism.

Origins and Development of Vaishnavism

  • The sources of origin of the Vaishnava religious tradition are varied, with some tracing it back to the Vedic tradition itself.

  • Various concepts of Supreme Vishnu are seen in different Vaishnava sects, including:

    • The Visnu (God with three strides) in the Vedas.

    • The Narayana (cosmic and philosophical god).

    • The Vasudeva (historical god).

    • The Krishna (pastoral god).

  • Some scholars believe that Vaishnavism originated from Visnu in the Vedas, while others argue that it developed after the rise of the Bhagavatam.

  • For South Indian Vaishnavism, some trace the Krishna cult to the Yadavas in Madurai, a section of the Vrsni people who colonized the Pandya country.

  • Another view suggests that the Vishnu cult in ancient Tamil culture originates from the mullai region, where Perumal is worshipped.

  • Vaishnavism is also called bhāgavata, meaning the cult of Bhagavat (the Lord), drawing inspiration from the Bhāgavata Purāṇa, Gīta, and the Nārayaṇīya (section of the Mahābhārata).

  • Pāñcarātra and Vaikānasa Āgamas are canonical texts in Vaishnavism:

    • Pāñcarātra deals with rituals, knowledge of God, mental concentration, yoga, temple construction, image installation, and daily rites.

    • Vaikānasa Āgamas provide instructions for temple construction and image molding.

  • Vishnu's abode is called Vaikuṇṭha, where He is enthroned beside His consort, Lakṣmi (goddess of good fortune).

  • Vishnu is depicted in five forms:

    • Transcendent (para): Possesses six attributes—knowledge, lordship, potency, strength, virility, and splendour.

    • Grouped (vyūha): Four forms—Vāsudeva, Saṁkarṣaṇa, Pradyumna, Aniruddha—with distinct functions in cosmic creation and soul redemption.

    • Incarnated (avatāra): Nine incarnations are believed to have occurred, with one yet to come.

      • These incarnations descended when the world was in danger of destruction, often to defeat demons or restore order.

      • Incarnations include Fish, Tortoise, Boar, Narasimha (man-lion), Vamana (dwarf), Parasurama, Rama, Krishna, and Buddha.

      • Buddha's incarnation is controversial and believed to either end animal sacrifice or lead wicked men to deny the Vedas.

      • The final incarnation is Kalki, yet to come, to destroy the wicked and restore the Kṛta Yuga (age of gold).

    • Idol (arcā): The most concrete form of God, where the image of Vishnu is believed to be a real, divinely alive form, making God accessible to devotees.

  • Service to the arcā is considered the primary duty of a devotee in Vaishnavism.

Philosophical Schools Saivism

  • Siva has both a dark and grim side to his nature, in addition to his beneficent qualities.

  • His nature is described as fierce, associated with horrible places like cremation grounds, wearing a garland of skulls, and performing the rudra thandava dance, which destroys the world at the end of the kalpa.

  • Despite this, Siva is also regarded as the great ascetic, meditating on the slopes of Mount Kailasa in the Himalayas, with matted hair, a crescent moon on his head, and the sacred Ganges flowing from it.

  • The characteristics of agricultural and pastoral fertility gods have been merged in Siva.

  • He is known as the lord of beasts (paśupati), the patron of procreation in both men and animals.

  • Siva is commonly worshipped in his emblem, the liṅga.

  • Some Siva cults have developed unpleasant practices such as animal sacrifice and psychopathic self-mortification.

  • However, most sects consider Siva to be the God of love and grace.

  • Tamil Saivism describes Siva in exalted terms with a strong moral emphasis.

  • In Tamil Saivism, the harsh elements of Siva have disappeared, and he is seen as a compassionate father of all living things who cares for them with love and justice, protecting them from evil.

  • There are many forms of Saivite religious and philosophical traditions in Saivism.

The Pasupata-S or Kapalika-S

  • The paśupatas are the oldest Saivaite tradition in the north.

  • In this tradition, ascetic tendencies were strongly emphasized.

  • Although their doctrines show closeness to the Samkhya and Yoga philosophies, they distinguish themselves by emphasizing Saiva monotheism.

  • For the paśupatas, Siva is absolutely independent and the instrumental cause of the world.

  • Nature and souls are seen as effects and are rooted in God’s will.

  • The liberated souls are believed to become eternally associated with Siva.

  • Their yogic practice consists of constant meditative contact with Siva in solitude, often in burial places.

  • Their ritual practices were often regarded as revolting.

  • The more extreme groups, called kapālikas, practiced ostentatious indifference to anything worldly.

  • Kapālikas carried human skulls (kapāla) and a bowl of liquor.

  • Due to these practices, they are worshipped as the skull bearer (kapālika) or the frightful one (bhairava).

Required Subscription: UGC NET History or UGC NET History + Book Notes

You cannot copy content of this page

Scroll to Top